Morrison’s Jig

Notes

“Morrison’s Jig” is a quintessential Irish masterpiece named after the legendary Sligo fiddler James Morrison. This E-minor double jig is celebrated for its infectious rhythmic “lift” and the contrasting, soaring runs of its second part. A favorite for sessions worldwide, its intuitive finger patterns and deep, modal resonance make it an essential piece for developing both rhythmic precision and melodic expression.

“Morrison’s Jig” is one of the most recognizable and widely played tunes in the Irish traditional music canon. It is often one of the first jigs a new player learns, yet it remains a staple for seasoned professionals due to its rhythmic drive and expressive potential.

The Story Behind the Tune

The tune is named after James Morrison (1893–1947), a renowned fiddler from County Sligo who became a pivotal figure in Irish music after emigrating to New York. Morrison was one of the “big three” Sligo fiddlers (alongside Michael Coleman and Paddy Killoran) whose 78rpm recordings in the 1920s and 30s standardized much of the Irish repertoire we play today.

While the tune was likely older—sometimes appearing under the title “The Stick across the Hob”—it was Morrison’s virtuosic 1924 recording that cemented its place in history and gave it its modern name.

Musical Characteristics

• Rhythm & Key: It is a double jig in 6/8 time, played in the key of E Minor (Dorian mode).

• Structure: The tune has a distinctive two-part structure. The “A” part is based on a series of jumping phrases that emphasize the “long-short” rhythm of the jig. The “B” part is famous for its long, descending scale-like runs that provide a wonderful contrast to the rhythmic jumping of the first half.

• Style: Fiddlers often use “crans” or “rolls” to ornament the melody. It is particularly known for its open-string drones on the low G and D strings, which give it a rich, bagpipe-like resonance.