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Notes
“The Boys of Bluehill” is perhaps the most famous and widely played hornpipe in the Irish and North American traditions. While its title sounds distinctly Irish, it is a “standard” in virtually every fiddle circle, from the sessions of County Clare to the community dances of New England and the Canadian Maritimes.
As a hornpipe, it is defined by its jaunty, “swung” rhythm—a characteristic “long-short” feel that gives the tune its signature bounce.
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The Key: It is almost always played in D Major, taking full advantage of the fiddle’s open strings and natural resonance to create a bright, ringing sound.
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The “Triplet” Flourish: One of the most recognizable features of “The Boys of Bluehill” is the use of triplets and “rolls.” The melody is incredibly satisfying to play because it flows logically, making it one of the first hornpipes many players learn.
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The Spirit: It is a cheerful, optimistic tune. Unlike the driving intensity of a reel, “The Boys of Bluehill” has a more relaxed, “stepping” energy—the kind of music that suggests a steady, lighthearted dance.