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Notes
“Hommage à Philippe Bruneau” is a celebrated contemporary classic within the French-Canadian and Québécois traditional music scenes. Unlike many tunes that have been passed down through centuries of oral tradition, this piece was composed relatively recently as a tribute to one of the most influential figures in accordion history.
A Tribute to a Master
The tune was written to honor Philippe Bruneau (1934–2011), a virtuoso accordionist who is credited with revolutionizing the way the diatonic accordion is played in Quebec.
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The Inspiration: Bruneau was known for his incredible technical precision and for elevating traditional “crooked” (irregularly phrased) tunes into a sophisticated art form.
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The Composer: While many musicians play it, it is often associated with the legendary fiddler and composer Michel Faubert, who sought to capture Bruneau’s spirited energy in musical form.
Musical Characteristics
This tune is typically played as a Reel, characterized by a driving, upbeat tempo that is perfect for step-dancing or a lively kitchen session.
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The Key: It is most commonly played in A Major, which gives it a bright, resonant quality on both the fiddle and the mandolin.
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The Structure: It follows a standard AABB structure. The “A” part often features a descending melodic line that feels like a flourish, while the “B” part climbs into a higher register, creating a sense of celebration and momentum.
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The “Swing”: To play it with authentic Québécois flavor, musicians often use “crooked” timing or subtle syncopation, giving the melody a bouncy, infectious “lift” that makes it impossible to sit still.
Why It’s a Favorite
For many traditional musicians, playing this tune is a way of acknowledging the “roots” of the revivalist movement in Canada. It manages to feel both ancient and fresh at the same time, bridging the gap between the old-time lumber camp style and modern folk performance.
It is a staple in the MaineFolqueCo-op repertoire and other New England sessions because of how well it sits on the strings, offering plenty of opportunities for double-stops and rhythmic ornamentation.